Earth, Wind & Fire’s Philip Bailey, Larry Dunn and Andrew Woolfolk

Inducted: November 28, 2017

Earth, Wind & Fire’s

Philip Bailey, Larry Dunn, and Andrew Woolfolk

 

Few bands transcend genres and audiences like Earth, Wind & Fire, which reshaped the music industry forever with its unique blend of jazz, pop, rock, soul, blues, folk, disco and African music. 

Though Maurice White founded Earth, Wind & Fire (originally known as the Salty Peppers), it was Colorado-born Philip Bailey who helped carry the group to new heights, bringing his famed four-octave vocal range to many of the band’s biggest hits, including “Reasons,” “Fantasy,” “September,” “Sing a Song” and “Shining Star.”

Since its founding in 1969, Earth, Wind & Fire has amassed seven Grammy Awards, four American Music Awards, the BET lifetime achievement award, the Soul Train Legend Award and Kennedy Center Honors — more than enough accolades to secure its spot in the Rock & Roll Hall of Fame and the Hollywood Walk of Fam

In all, Earth, Wind & Fire has sold more than 90 million records and earned more than 50 platinum and gold albums. Two songs, “Shining Star” and “That’s the Way of the World,” have been added to the Grammy Hall of Fame.

When members of the original band split off to pursue new interests, Bailey turned to his two Denver East High School friends to fill the gaps. Larry Dunn, a keyboardist, and Andrew Woolfolk, who played saxophone, had played with Bailey in an eclectic Denver group called Friends and Love, which had opened for Earth, Wind & Fire years before. Each member of the trio found their own success in the music industry, even after their work with Earth, Wind & Fire.

Philip Bailey

Born in Denver in 1951, Bailey grew up listening to the likes of John Coltrane, Miles Davis, Dionne Warwick, Sarah Vaughan and Stevie Wonder. He attended East High School, Metropolitan State University and the University of Colorado, where he and White crossed paths.

Though he is primarily known as an R&B and soul singer, Bailey’s body of work grew to encompass gospel, funk, television and even Broadway. Berklee College of Music awarded him an honorary doctorate degree in 2008. His legacy also includes charity efforts that support foster children through music.

Larry Dunn

Dunn was also a Denver-born musician, who had expressed a love of music from a young age, encouraged by his musician father and music-loving mother. At 11, he formed his first musical group and at 15 (with his mother’s permission), Dunn was playing paid gigs at clubs seven nights a week. With Earth, Wind & Fire, he helped introduce the funky keyboard, organ, clavinet and synthesizer playing that would become a staple of the band’s music.

After his stint with the band, Dunn joined Earth, Wind & Fire founder Maurice White’s record label, Kalimba Productions, where he signed several new artists, including The Emotions and Deniece Williams. Skilled in the studio as well, Dunn produced albums for The Emotions, Lenny White, Ramsey, Lewis, Level 42 and Stanley Turrentine. He also released a solo album in 1992.

Andrew Woolfolk

Woolfolk had always been a versatile musician, even as a teenager. He studied soprano and tenor saxophone, percussion and flute, and performed with the Echoes of Youth gospel choir, where he honed his vocal talents and worked with the choir’s organist, future actress Pam Grier. But before Bailey invited him to join the group, he had plans to begin a career in banking.

Woolfolk has also collaborated with notable musicians like Phil Collins, Valerie Carter, Deniece Williams, Level 42 and Ricky Lawson.

Philip Bailey, Larry Dunn and Andrew Woolfolk were inducted into the Colorado Music Hall of Fame Jazz Masters & Beyond class of 2017.

DENVER, CO - NOVEMBER 28: 2017 Colorado Music hall of Fame induction at Paramount Theater on November 28, 2017 in Denver, Colorado.  (Photo by Michael Martin.)
Larry-Dunn
IMG_1321.

Earth, Wind, & Fire Discography

1980 – Faces

1981 – Raise

1992 – The Eternal Dance

2002 – That’s The Way of the World – Alive in ’75

1979 – I Am

1974 – Open Our Eyes

2002 – Live in Rio

1977 – All ‘N All

1972 – Last Days and Time

1975 – Gratitude

1973 – Head To The Sky

1983 – Powerlight

1976 – Spirit

1983 – Electric Universe

1975 – That’s The Way of the World

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BILL SZYMCZYK

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Bill Szymczyk

Produced by Bill Szymczyk

Self-proclaimed professional listener William Szymczyk was born in Muskegon, Michigan on February 13, 1943. Szymczyk’s future career as a producer had its origin in the U.S. Navy where he took a course in radio and TV production while he was serving as a Sonarman Petty Officer.

Once he was discharged from duty, he accepted a position making acetate copies of recorded demos at the Dick Charles Recording Studio. He later recalled listening to a studio session with Carole King and Gerry Goffin which got him hooked. Within a year, he became one of the studio’s engineers.

His first break came when songwriter Helen Miller referred him to an uptown studio called Regent Sound, owned by Bob Lifton. Under Lifton’s tutelage, Szymczyk wound up managing the studio. A few years later in ‘67, he met R&B producer Jerry Ragovoy, who was preparing to open a new studio called the Hit Factory. Ragovoy needed talent, and Szymczyk accepted, becoming the Hit Factory’s first regular engineer, where he also learned how to be a producer. 

When a staff producer position opened up at Paramount-owned ABC Records, he took it. While there, he heard the music of blues artist BB King who was under contract with ABC. Szymczyk asked to make a record with King and, after some pushback, was told he could do it if he pitched his idea to King himself.

Szymczyk’s plan was to try another band behind King to produce a more energetic recording. King took to the idea but considered it a risk. The two agreed to do the first half of the album with King’s regular band and the second half with new musicians. The result was Live & Well (1969) and the last song on the second side, “Why I Sing The Blues,” made a dent on the charts. This success convinced King and ABC to try again. Completely Well (1969) was released later that year and won a Grammy for Best R&B Vocal Performance. Afterwards, ABC gave Szymczyk the power to sign his own acts, and one of the first was the hard rock James Gang with singer-songwriter Joe Walsh, with whom Szymczyk became close friends.

Around this time, ABC merged with Dunhill Records and Szymczyk had to move to Los Angeles. The move was short-lived as an Earthquake struck the city and Szymczyk decided to leave LA. In early 1971, he moved to Denver and started a record label with Larry Ray, a colleague from New York. Tumbleweed Records was the result. After some financial trouble at the beginning, Szymczyk and Ray began production on clients like Walsh, The J. Geils Band, and others.

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Three years later, Szymczyk became involved with Walsh’s new band, the Eagles, after hearing about creative differences with their then producer, Glyn Johns. Szymczyk was asked to step in, but he didn’t want to offend Johns; so he called for permission and received the reply, “Better you than me, mate!” The Eagles and Szymczyk booked Criteria Studios in Miami and finished On The Border (1974) in three weeks.

The next album, One of These Nights (1975), took 18 months to complete. From there, each record began to take longer and longer to make. Producing for the Eagles became Szymczyk’s full-time job. Hotel California (1976) began with just a handful of songs, and the band developed the rest during studio jam sessions. The Long Run (1979) took nearly three years to make, and all the while the band’s inner turmoil was boiling over. The band broke up a year later and the projects they were working on collapsed.

Due to his financial success from the previous decade, Szymczyk’s production work tapered in the 1980s. He officially retired in 1990, though he re-emerged in the mid-2000s to work on the Eagles album The Long Road Out of Eden (2007).

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